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Guidebook to Relative Strangers: Journeys into Race, Motherhood, and History by Camille T. Dungy Dungy’s micro and macro attention is captivating, as she writes hilariously in one paragraph about breast pump flanges and poignantly in another about the pathways of Africans forced into slavery. Each essay, while distinctly different in topic, either focuses on or eventually comes around to issues of race and motherhood and history, making the book thoughtfully cohesive. And because many of the essays take you places — such as Alaska, Maine, Ghana — the book reads as a travel collection as well, so I love it for summer reading. — Heather Lanier (TED Talk: “Good” and “bad” are incomplete stories we tell ourselves )

The Imam and the Indian by Amitav Ghosh These 15 short essays are on topics ranging from a fancy fundraising dinner in New York City to life in rural Egypt and everything in between. Ghosh is many things, but above all he is a social anthropologist par excellence. These are simple stories, beautifully narrated and each a window into a time and place far away. What I find most amazing about this book is that every essay leaves you with a thought or a question or a perspective about the world, humanity or us as individuals that is unbelievably simple and yet very powerful. — Seema Bansal (TED Talk: How to fix a broken education system without any money )

Daemon Voices: Essays on Storytelling by Philip Pullman These 30 essays, written over two decades by the author of many books including the Dark Materials trilogy, cover the craft of storytelling. I found that Pullman writing about how he writes his stories was (almost) as good as his original stories themselves. — Daniel Susskind (TED Talk: 3 myths about the future of work and why they’re not true )

http://www.theconversation.com [ Editor’s note: Although this isn’t a book recommendation, we think this website definitely belongs on a reading list. ] The Conversation pairs academics’ expertise with the story-focused, conversational voice of journalists. At this site, you’ll find relevant articles that discuss recent science research, political issues, and much more. If you get bored with your beach read this summer and want to find something relevant to read on your phone, go here. — Erica Stone (TED Talk: Academic research is publicly funded — why isn’t it publicly available? )

The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics by Daniel James Brown I just finished this book. I’d never thought much about rowing, so I learned a great deal about this sport during a time of great change in the US. It’s an excellent read that will give you much to think about. — Joan Blades (TED Talk with John Gable: Free yourself from your filter bubbles )

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Mehdi Farsi
Ruby and RoR — ruby.devscoop.fr newsletter

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In this article we’re going to explore the following topics:

absolute path vs relativepath

An absolute path is a full path that points to the same location regardless of the position of the current directory

Given the above example, let’s try to the file by using an absolute path

Here, we the file by using an absolute path.

After, we move to the folder.

Then we can see that calling with an absolute path will display the content of the file regardless the position of the current directory.

By contrast, A relative path starts from the current working directory

Here, we the file by using a relative path.

After, we move to the folder.

Then we can see that calling with a relative path — including the prefix to move to the previous directory — will display the content of the file regarding the position of the current directory.

the requiremethod

The method loads the file or the library passed as parameter.

This method expects that the argument includes an absolute path.

Otherwise, the method tries to find the file or library by prepending it with each path included in the global variable —  or with the current working directory path if prepend the argument passed to the method.

When the file or library is loaded then the absolute path is added to the global array.

The global array is used to check if a file or a library (a.k.a feature) has already been required. If so, the file or library is not loaded again and the method returns .

Let’s have a look to the following example to recap the behavior of this method

So, let’s try to require within an session

Here we pass the argument to . Because the argument is prepended by then determines an absolute path based on the current working directory .

When the file is loaded, The determined absolute path is added to the global array.

Finally, Because the file is included in the array then a second call to returns .

Now let’s try to include the gem

Here we pass the argument to . In this case, tests each absolute path included in the global array.

If a path matches, then the library is loaded and the path is added in the array.

Finally, Because the library is included in the array then a second call to returns .

the require_relative method

The method loads the file or library passed as parameter.

Ruby tries to load the library relative to the requiring file’s (or program) path.

It first finds the requiring file or program path, and then determine an absolute path according to the required file or library.

When the file or library is loaded then the absolute path is added to the

Let’s try to require the file by using the method

Our session runs in the same directory as our hello.rb file.

So, the current program path is .

Then the require_relative method adds the path passed as argument and determines an absolute path.

In this case, the final absolute path is .

If this path exists then the absolute path will be added to the $LOADED_FEATURES array.

Voilà!

$> tree

This press release includes non-GAAP financial measures as defined under SEC rules, specifically Adjusted net earnings and adjusted earnings per diluted share, excluding the impact of charges associated with the Toys“R”Us liquidation; severance costs and U.S. tax reform in the first quarter of 2018, as well as adjusted operating profit absent the impact of the charges associated with the Toys“R”Us liquidation and severance costs. Also included in the financial tables attached to this release are the non-GAAP financial measures of EBITDA and Adjusted EBITDA. EBITDA represents net earnings attributable to Hasbro, Inc. excluding interest expense, income taxes, depreciation and amortization. Adjusted EBITDA also excludes the impact of charges associated with the Toys“R”Us liquidation and severance costs in the first quarter of 2018. As required by SEC rules, we have provided reconciliation on the attached schedule of these measures to the most directly comparable GAAP measure. Management believes that Adjusted net earnings, Adjusted earnings per diluted share and adjusted operating profit absent the impact of charges associated with the Toys“R”Us liquidation and severance costs in the first quarter of 2018 provides investors with an understanding of the underlying performance of the Company’s business absent these unusual events. Management believes that EBITDA and Adjusted EBITDA are appropriate measures for evaluating the operating performance of the Company because they reflect the resources available for strategic opportunities including, among others, to invest in the business, strengthen the balance sheet and make strategic acquisitions. These non-GAAP measures should be considered in addition to, not as a substitute for, or superior to, net earnings or other measures of financial performance prepared in accordance with GAAP as more fully discussed in the Company's financial statements and filings with the SEC . As used herein, "GAAP" refers to accounting principles generally accepted in the United States of America .

Franchise and Emerging Brands net revenues for the first quarter of 2017 have been restated to reflect the elevation of BABY ALIVE from Emerging Brands to Franchise Brands and the move of LITTLEST PET SHOP from Franchise Brands to Emerging Brands.

Hasbro's total gaming category, including all gaming revenue, most notably MAGIC: THE GATHERING and MONOPOLY, totaled $203,542 for the first quarter of 2018, down 20%, from revenues of $253,289 for the first quarter of 2017.

View source version on businesswire.com: https://www.businesswire.com/news/home/20180423005558/en/

Source: Hasbro, Inc.

Investor Contact:Hasbro, Inc.Debbie Hancock, 401-727-5401 debbie.hancock@hasbro.com orPress Contact:Hasbro, Inc.Julie Duffy, 401-727-5931 julie.duffy@hasbro.com

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